Quotes George R. R. Martin - page 5
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I would also suggest that any aspiring writer begin with short stories. These days, I meet far too many young writers who try to start off with a novel right off, or a trilogy, or even a nine-book series. That's like starting in at rock climbing by tackling Mt. Everest. Short stories help you learn your craft.
The pale pink light of dawn sparkled on branch and leaf and stone. Every blade of grass was carved from emerald, every drip of water turned to diamond. Flowers and mushrooms alike wore coats of glass. Even the mud puddles had a bright brown sheen. Through the shimmering greenery, the black tents of his brothers were encased in a fine glaze of ice. So there is magic beyond the Wall after all.
Fantasy is silver and scarlet, indigo and azure, obsidian veined with gold and lapis lazuli. Reality is plywood and plastic, done up in mud brown and olive drab. Fantasy tastes of habaneros and honey, cinnamon and cloves, rare red meat and wines as sweet as summer. Reality is beans and tofu, and ashes at the end.
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Not everyone who spoke you friendly was really your friend." - Arya
Robb: Uncle Benjen said to send you to the stables if I saw you. Jon: I have one more farewell to make. Robb: Then I haven't seen you.
Arya lifted her gaze from the dead man and his dead dog. Jaqen H'ghar was leaning up against the side of the Wailing Tower. When he saw her looking, he lifted a hand to his face and laid two fingers casually against his cheek.
When the snows fall and the white winds blow, the lone wolf dies but the pack survives.
My old grandmother always used to say, Summer friends will melt away like summer snows, but winter friends are friends forever.
![I don\'t like the strictly objective viewpoint [in which all of the characters\' actions are described in the third person, but we never hear what any of them are thinking.] Which is much more of a cinematic technique. Something written in third person objective is what the camera sees. Because unless you\'re doing a voiceover, which is tremendously clumsy, you can\'t hear the ideas of characters. For that, we depend on subtle clues that the directors put in and that the actors supply. I can actually write, \](/fotos/7f/7f2b7cfed0d95f3d6584c9a271900b3b.webp)
I don't like the strictly objective viewpoint [in which all of the characters' actions are described in the third person, but we never hear what any of them are thinking.] Which is much more of a cinematic technique. Something written in third person objective is what the camera sees. Because unless you're doing a voiceover, which is tremendously clumsy, you can't hear the ideas of characters. For that, we depend on subtle clues that the directors put in and that the actors supply. I can actually write, "'Yes you can trust me,' he lied." [But it's better to get inside the characters' heads.]
A frightened man is a beaten man.
I want to weep, she thought. I want to be comforted. I'm so tired of being strong. I want to be foolish and frightened for once. Just for a small while, that's all....a day.....an hour.
