![I don\'t like the strictly objective viewpoint [in which all of the characters\' actions are described in the third person, but we never hear what any of them are thinking.] Which is much more of a cinematic technique. Something written in third person objective is what the camera sees. Because unless you\'re doing a voiceover, which is tremendously clumsy, you can\'t hear the ideas of characters. For that, we depend on subtle clues that the directors put in and that the actors supply. I can actually write, \](/fotos/7f/7f2b7cfed0d95f3d6584c9a271900b3b.webp)
I don't like the strictly objective viewpoint [in which all of the characters' actions are described in the third person, but we never hear what any of them are thinking.] Which is much more of a cinematic technique. Something written in third person objective is what the camera sees. Because unless you're doing a voiceover, which is tremendously clumsy, you can't hear the ideas of characters. For that, we depend on subtle clues that the directors put in and that the actors supply. I can actually write, "'Yes you can trust me,' he lied." [But it's better to get inside the characters' heads.]
