Quotes Ursula K. Le Guin - page 3

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O foolish writer. Now moves. Even in storytime, dreamtime, once-upon-a-time, now isn\'t then.
O foolish writer. Now moves. Even in storytime, dreamtime, once-upon-a-time, now isn't then.
Love doesn't just sit there, like a stone; it has to be made, like bread, remade all the time, made new.
As you see, I bear some resentment and some scars from the years of anti-genre bigotry. My own fiction, which moves freely around among realism, magical realism, science fiction, fantasy of various kinds, historical fiction, young adult fiction, parable, and other subgenres, to the point where much of it is ungenrifiable, all got shoved into the Sci Fi wastebasket or labeled as kiddilit - subliterature.
When action grows unprofitable, gather information; when information grows unprofitable, sleep.
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Nobody who says, ‘I told you so’ has ever been, or will ever be, a hero.
Alone, no one wins freedom.
Absolute freedom is absolute responsibility.
You will die. You will not live forever. Nor will any man nor any thing. Nothing is immortal. But only to us is it given to know that we must die. And that is a great gift: the gift of selfhood. For we have only what we know we must lose, what we are willing to lose... That selfhood which is our torment, and our treasure, and our humanity, does not endure. It changes; it is gone, a wave on the sea. Would you have the sea grow still and the tides cease, to save one wave, to save yourself?
How can people be anything but ignorant when knowledge isn't saved, isn't taught?
What good is music? None ... and that is the point. To the world and its states and armies and factories and Leaders, music says, \'You are irrelevant\'; and, arrogant and gentle as a god, to the suffering man it says only, \'Listen.\' For being saved is not the point. Music saves nothing. Merciful, uncaring, it denies and breaks down all the shelters, the houses men build for themselves, that they may see the sky.
What good is music? None ... and that is the point. To the world and its states and armies and factories and Leaders, music says, 'You are irrelevant'; and, arrogant and gentle as a god, to the suffering man it says only, 'Listen.' For being saved is not the point. Music saves nothing. Merciful, uncaring, it denies and breaks down all the shelters, the houses men build for themselves, that they may see the sky.
Yet we were rescued by that fancy, and saved by a myth.
Crankish attacks on the freedom to read are common at present. When backed and coordinated by organized groups, they become sinister.
Ah, genre. A word only a Frenchman could love.
And though I came to forget or regret all I have ever done, yet would I remember that once I saw the dragons aloft on the wind at sunset above the western isles; and I would be content.
If a book were written all in numbers, it would be true. It would be just. Nothing said in words ever came out quite even. Things in words got twisted and ran together, instead of staying straight and fitting together. But underneath the words, at the center, like the center of the Square, it all came out even. Everything could change, yet nothing would be lost. If you saw the numbers you could see that, the balance, the pattern. You saw the foundations of the world. And they were solid.
No man, no power, can bind the action of wizardry or still the words of power. For they are the very words of Making, and one who could silence them could unmake the world.
Art is action. The way I live my life to its highest degree is by writing, the practice of art.
The greatest religious problem today is how to be both a mystic and a militant; in other words how to combine the search for an expansion of inner awareness with effective social action, and how to feel one's true identity in both.
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A man who saw a miracle would reject his eyes\' witness, if those with him saw nothing.
A man who saw a miracle would reject his eyes' witness, if those with him saw nothing.