As I walked out one evening, ...

As I walked out one evening, Walking down Bristol Street, The crowds upon the pavement Were fields of harvest wheat. And down by the brimming river I heard a lover sing Under an arch of the railway: \'Love has no ending. \'I\'ll love you, dear, I\'ll love you Till China and Africa meet, And the river jumps over the mountain And the salmon sing in the street, \'I\'ll love you till the ocean Is folded and hung up to dry And the seven stars go squawking Like geese about the sky.
As I walked out one evening, Walking down Bristol Street, The crowds upon the pavement Were fields of harvest wheat. And down by the brimming river I heard a lover sing Under an arch of the railway: 'Love has no ending. 'I'll love you, dear, I'll love you Till China and Africa meet, And the river jumps over the mountain And the salmon sing in the street, 'I'll love you till the ocean Is folded and hung up to dry And the seven stars go squawking Like geese about the sky.

Quotes from the same author

To choose what is difficult all one's days, as if it were easy, that is faith.
The nightingales are sobbing in The orchards of our mothers, And hearts that we broke long ago Have long been breaking others; Tears are round, the sea is deep: Roll them overboard and sleep.
Now is the age of anxiety.
Drama is based on the Mistake. I think someone is my friend when he really is my enemy, that I am free to marry a woman when in fact she is my mother, that this person is a chambermaid when it is a young nobleman in disguise, that this well-dressed young man is rich when he is really a penniless adventurer, or that if I do this such and such a result will follow when in fact it results in something very different. All good drama has two movements, first the making of the mistake, then the discovery that it was a mistake.
The class distinctions proper to a democratic society are not those of rank or money, still less, as is apt to happen when these are abandoned, of race, but of age.