When I was 14, I told my mother I was going to drop out of high school and go do stand-up comedy. All she said was 'Oh maybe it's better if you just die,' because it was killing her that I was doing this.
I always felt like an outsider growing up. In school, I felt like I never fit in. But it didn't help when my mother, instead of buying me glue for school projects, would tell me to just use rice.
My mother goes crazy over babies. Some people just do. They love 'em! I never have. Babies scare me more than anything. They're tiny and fragile and impressionable - and someone else's! As much as I hate borrowing stuff, that is how much I hate holding other people's babies. It's too much responsibility.
It's completely unsexy [Yello, "Oh Yeah" 1985]. It does capture that weird '80s materialism and "We're gonna get it on now" vibe. But it's a very juvenile approach. It also became a weird signal for comedy, in the sense that when you heard the song, it meant comedy was happening on screen. I feel like this song was probably done in a couple of minutes in a studio.
I think I heard it [ Ferris Bueller's Day Off ] earlier. This was being played on a station in San Francisco called Live 105, which was a new wave station. It was one of the first stations to change its format in the early '80s. There was this wave of really strange music coming from Europe like Kraftwork and Freur.
I helped deliver one of my best friend's children. I just was so amazed by my friend, because she was not just a woman, she was not just a mother. At that moment she was creation; she was life; she was God. And as I looked in her eyes, BOOM! Her pussy exploded.