Volume depends precisely on ...

Volume depends precisely on the writer\'s having been able to sit in a room every day, year after year, alone.
Volume depends precisely on the writer's having been able to sit in a room every day, year after year, alone.

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Sylvia Plath. Interesting poetess whose tragic suicide was misinterpreted as romantic by the college-girl mentality.
I think there was the studio mentality for a long time that women and girls can relate to a male hero, but boys and men can't relate to a female hero.
 Jennifer Lawrence
Every great dream begins with a dreamer. Always remember, you have within you the strength, the patience, and the passion to reach for the stars to change the world.
 Harriet Tubman
Difficulties are meant to rouse, not discourage. The human spirit is to grow strong by conflict.
 William Ellery Channing
You must do the things you think you cannot do.

Quotes from the same author

The discovery of the good taste of bad taste can be very liberating. The man who insists on high and serious pleasures is depriving himself of pleasure; he continually restricts what he can enjoy; in the constant exercise of his good taste he will eventually price himself out of the market, so to speak. Here Camp taste supervenes upon good taste as a daring and witty hedonism. It makes the man of good taste cheerful, where before he ran the risk of being chronically frustrated. It is good for the digestion.
We fret about words, we writers. Words mean. Words point. They are arrows. Arrows stuck in the rough hide of reality. And the more portentous, more general the word, the more they can also resemble rooms or tunnels. They can expand, or cave in. They can come to be filled with a bad smell. They will often remind us of other rooms, where we'd rather dwell or where we think we are already living. They can be spaces we lose the art or the wisdom of inhabiting. And eventually those volumes of mental intention we no longer know how to inhabit will be abandoned, boarded up, closed down.
All possibility of understanding is rooted in the ability to say no.
To suffer is one thing; another thing is living with the photographed images of suffering, which does not necessarily strengthen conscience and the ability to be compassionate. It can also corrupt them. Once one has seen such images, one has started down the road of seeing more - and more. Images transfix. Images anesthetize.
Literature can train, and exercise, our ability to weep for those who are not us or ours.