The only thing that I could get with chance, and I never was able to use it, was that I would end up with something quite geometric or the spirit that I was interested in, indulging in, was gone.
For the first time, I wasn't embarrassed by the look of beauty, of elegance, because when you see someone who has only one rag as their property, but it happens to be beautiful and pink and silk, beauty doesn't have to be separated... I have always said that you shouldn't have biases, you shouldn't have prejudices. But before that [before his trip to India, circa 1975] I'd never been able to use purple, because it was too beautiful.
And also the new excitement and variety of ways that the abstract expressionists were applying paint. You could put it on as though it were colored air and it would be painting.
There was something about the self-confession and self-confusion of Abstract expressionism - as though the man and the work were the same - that personally always put me off because at that time my focus was in the opposite direction.
I usually work in a direction until I know how to do it, then I stop, At the time that I am bored or understand - I use those words interchangeably - another appetite has formed.