The endings for all my characters seem sufficiently human and messy for me to feel comfortable with them. In some ways they have only moved an inch, but sometimes an inch is a great distance.
Sadly, this picture [ Joy] does not go from strength to strength. It sinks into a morass of tedious obstacles to this woman's success. Joy the person may be able to surmount all barriers, but the film with her name on it is not so fortunate.
The holy trifecta of directing and filmmaking is character emotion, camera movement and music. When you hit those three, that's magical. That's what I'm trying to do.
One of the things I've discovered at my age is I must have enchantment. And that was not clear to me in my earlier years. When I look at my favorite films, the Frank Capra - even Scorsese, even 'Goodfellas,' what makes that movie so remarkable is there's enchantment in their world.