When you're interviewing someone, even your mother - you have to sort of deal with you have to get some objective space from yourself and the person but you also have to find what's the best way to get the information from that person.
I think comedy allows people to accept the more difficult parts of history. And history, if it's presented wrong, is just very depressing, particularly the history of slavery. If slavery is presented properly, it's a great story. But I think that within the commercial world of storytelling in which I live, there haven't been many strong works that discuss slavery in ways that are palatable and funny and interesting to the reader.
When you walk the significant land, the land speaks to you - even if it's 150 years later. You walk the earth and good things happen. There's always something to be said for going to a spot, even if there's nothing there. That's why you have a brain, your mind moves to other places when you're standing at an important spot.
Music and writing do fold together in the sense that you have to have a certain level of skill in order to execute your ideas and you need a medium. The idea of improvisation is one that many writers fall into, and I improvise a great deal when I'm writing, but there's a structural framework that I'm working around, and that takes more time than the actual writing. Once the characters get to yapping and talking, they'll move from one room to the next, and I just have to make sure that the house is built. That's really hard, that's the kind of thing that sits with you all day long.