Satire is fascinating stuff. It's deadly serious, and when politics begin to break down, there is a drift towards satire, because it's the only thing that makes any sense.
Student journeys which were important to me were Sicily, Greece, and Egypt, where I really saw these buildings, and that is where you're able to grasp what things mean.
The kind of painting which I find exciting is not necessarily representational or non-representational, but it is musical and architectural... Whether this visual relationship is slightly more or slightly less abstract is, for me, beside the point.