Quotes Veronica Roth - page 5

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I touch her cheek to slow the kiss down, holding her mouth on mine so I can feel every place where our lips touch and every place where they pull away. I savor the air we share in the second afterwards and the slip of her nose across mine. I think of something to say, but it is too intimate, so I swallow it. A moment later I decide I don\'t care. \
I touch her cheek to slow the kiss down, holding her mouth on mine so I can feel every place where our lips touch and every place where they pull away. I savor the air we share in the second afterwards and the slip of her nose across mine. I think of something to say, but it is too intimate, so I swallow it. A moment later I decide I don't care. "I wish we were alone," I say as I back out of the cell. She smiles. "I almost always wish that.
I also don't believe that whatever come after life depends on my correctly reciting a list of my transgressions-that sounds too much like an Erudite afterlife to me, all accuracy and no feeling.
He seems designed specifically for speed and deadly accuracy. But not strength, not particularly-he is smart, but not strong. Only strong enough to carry me.
I hear footsteps and Four's hands wrap around my wrists. I let him pry my hands from my eyes. He encloses one of my hands perfectly between two of his. The warmth of his skin overwhelms the ache in my fingers from holding the bars. "You all right?" he asks, pressing our hands together. "Yeah." He starts to laugh.
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He slides his hand over my cheek, one finger anchored behind my ear. Then he tilts his head down and kisses me, sending a warm ache through my body. I wrap my hands around his arm, holding him there as long as I can. When he touches me, the hollowed-out feeling in my chest and stomach is not as noticeable.
Sometimes I see him as just another person, and sometimes I feel the sight of him in my gut, like a deep ache.
I forgot my watch. Minutes or hours later, when the panic subsides, that is what I most regret. Not coming here in the first place - that seemed like an obvious choice - but my bare wrist, which makes it impossible for me to know how long I have been sitting in this room. My back aches, which is some indication, but it is not definite enough.
We're all right, you know,' he says quietly. 'You and me. Okay?' My chest aches, and I nod. 'Nothing else is all right.' His whisper tickles my cheek. 'But we are.
I shift from one foot to the other, trying to get a good look at him. When I finally do, I look away. His eyes were already on me, probably drawn by my nervous movement.
In the days that follow, it\'s movement, not stillness, that helps to keep the grief at bay.
In the days that follow, it's movement, not stillness, that helps to keep the grief at bay.
All I want is to become someone new. In this case, Tobias Johnson, son of Evelyn Johnson. Tobias Johnson may have lived a dull and empty life, but he is at least a whole person, not this fragment of a person that I am, too damaged by pain to become anything useful.
Don’t tell me you’re going to eat a mashed-potato sandwich
A brave man acknowledges the strength of others.
I take a deep breath. I'm not sure where that swell of desperation came from, but know that I've acknowledge it, it's impossible to ignore, like a living thing has awakened from a long sleep inside me. It writhes in my stomach and throat. I need to leave. I need the truth.
Morning," I say. "Shh," she says. "If you don't acknowledge it, maybe it will go away.
An artist gives. Gives visually, gives through courses, or with free advice, through generosity of spirit and through a need to share.
Sarcasm is always at someone's expense.
I wake wondering how I did not notice, every day I sat across from her at the breakfast table, that she was full to bursting with Dauntless energy. Was it because she hid it well? Or was it because I wasn't looking?
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It\'s not that I ever sat down and outlined a trilogy, but I always have a sense of what size an idea is when I start it.
It's not that I ever sat down and outlined a trilogy, but I always have a sense of what size an idea is when I start it.
He moves his thumb in a slow circle over the back of my hand. It is meant to comfort me, but it frustrates me instead. I need to talk to him. I need to look at him.