Quotes Toni Morrison - page 3
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How exquisitely human was the wish for permanent happiness, and how thin human imagination became trying to achieve it.
Movements toward freedom and the self-respect that comes from something other than what people think is their most important feature.
Each member of the family in his own cell of consciousness, each making his own patchwork quilt of reality - collecting fragments of experience here, pieces of information there. From the tiny impressions gleaned from one another, they created a sense of belonging and tried to make do with the way they found each other.
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There is no civilization that did not begin with art, Whether it was drawing a line in the sand, painting a cave or dancing.
We read about how Ajax and Achilles will die for each other, but very little about the friendship of women.
I'm a writer in the world. I translate the confusion that I might feel, the dread that I know I feel, moving towards some other place, moving away from puny language, from all that dread into some other kind of language.
Some literature is knowledge, some is just data. But if I can get a "happy" ending - which is when for the characters I'm writing about, something happens that they move from wherever they are in the beginning to knowledge or wisdom, they know something they never would have acknowledged or realized if it hadn't been for my book - that for me is what literature does.
When she awoke there was a melody in her head she could not identify or recall ever hearing before. 'Perhaps I made it up,' she thought. Then it came to her - the name of the song and all its lyrics just as she had heard it many times before. She sat on the edge of the bed thinking, 'There aren't any more new songs and I have sung all the ones there are. I have sung them all. I have sung all the songs there are.
For me, Art is the restoration of order. It may discuss all sort of terrible things, but there must be satisfaction at the end. A little bit of hunger, but also satisfaction.
Love is never any better than the lover. Wicked people love wickedly, violent people love violently, weak people love weakly, stupid people love stupidly, but the love a free man is never safe. There is no gift for the beloved. the lover alone possesses his gift of love. The loved one is shorn, neutralized, frozen in the glance of the lover’s inward eyes.
My daddy's face is a study. Winter moves into it and presides there. His eyes become a cliff of snow threatening to avalanche, his eyebrows bend like black limbs of leafless trees. His skin takes on the pale cheerless yellow of winter sun; for a jaw he has the edges of a snowbound field dotted with stubble; his high forehead is the frozen sweep of the Erie.
Sunk in the grass of an empty lot on a spring Saturday, I split the stems of milkweed and thought about ants and peach pits and death and where the world went when I closed my eyes.
Freeing yourself was one thing; claiming ownership of that freed self was another.
I tell my students, 'When you get these jobs that you have been so brilliantly trained for, just remember that your real job is that if you are free, you need to free somebody else. If you have some power, then your job is to empower somebody else. This is not just a grab-bag candy game.
And talking about dark! You think dark is just one color, but it ain't. There're five or six kinds of black. Some silky, some woolly. Some just empty. Some like fingers. And it don't stay still, it moves and changes from one kind of black to another. Saying something is pitch black is like saying something is green. What kind of green? Green like my bottles? Green like a grasshopper? Green like a cucumber, lettuce, or green like the sky is just before it breaks loose to storm? Well, night black is the same way. May as well be a rainbow.
Books ARE a form of political action. Books are knowledge. Books are reflection. Books change your mind.
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In Tar Baby, the classic concept of the individual with a solid, coherent identity is eschewed for a model of identity which sees the individual as a kaleidoscope of heterogeneous impulses and desires, constructed from multiple forms of interaction with the world as a play of difference that cannot be completely comprehended.
Some things you forget. Other things you never do. But it's not. Places, places are still there. If a house burns down, it's gone, but the place--the picture of it--stays, and not just in my remory, but out there, in the world. What I remember is a picture floating around out there outside my head. I mean, even if I don't think if, even if I die, the picture of what I did, or knew, or saw is still out there. Right in the place where it happened.
