Quotes Terry Tempest Williams - page 3

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Tortoise steps, slow steps, four steps like a tank with a tail dragging in the sand. Tortoise steps, land based, land locked, dusty like the desert tortoise herself, fenced in, a prisoner on her own reservation -- teaching us the slow art of revolutionary patience.
Tortoise steps, slow steps, four steps like a tank with a tail dragging in the sand. Tortoise steps, land based, land locked, dusty like the desert tortoise herself, fenced in, a prisoner on her own reservation -- teaching us the slow art of revolutionary patience.
People talk about medium. What is your medium? My medium as a writer has been dirt, clay, sand--what I could touch, hold, stand on, and stand for--Earth. My medium has been Earth. Earth in correspondence with my mind.
I wonder, What is it to be human? Especially now that we are so urban. How do we remember our connection with place? What is the umbilical cord that roots us to that primal, instinctive, erotic place? Every time I walk to the edge of this continent and feel the sand beneath my feet, feel the seafoam move up my body, I think, "Ah, yes, evolution." It's there, we just forget.
I can only tell where I feel most at home, which is in the erosional landscape of the red rock desert of southern Utah, where the Colorado River cuts through sandstone and the geologic history of the Earth is exposed: our home in Castle Valley.
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The creative process ignites our imagination, and I believe that that same imagination is what will propel us forward with issues of social change. I do think we have to acknowledge that we are a very capitalistic and consumptive nation, and that talk about conservation or issues of sustainability is never going to be popular with the dominant culture because it means checks and balances on an economy that is reserved for the dollar, rather than an economy that honors and respects spiritual resources and the right of all life to participate on the planet, not just our species.
In Utah alone, ten million acres are open for business. Their policy is not about the public or the public's best interest. It is about the oil and gas corporations' best interests.
I have felt the pain that arises from a recognition of beauty, pain we hold when we remember what we are connected to and the delicacy of our relations. It is this tenderness born out of a connection to place that fuels my writing. Writing becomes an act of compassion toward life, the life we so often refuse to see because if we look too closely or feel too deeply, there may be no end to our suffering. But words empower us, move us beyond our suffering, and set us free. This is the sorcery of literature. We are healed by our stories.
Words empower us, move us beyond our suffering, and set us free.
I was invited to give the Freshmen Convocation at Florida Gulf Coast University on October 24, 2004. My book The Open Space of Democracy had been selected as one of the "common readers" for the university's 1,050 entering freshmen. On October 6, William Merwin, the president of Florida Gulf Coast, made the decision to "postpone" the convocation. He cited negative statements I had made in print about President Bush. If our colleges and universities are no longer the champions and protectors of free speech, then no voice in this country is safe.
Watching the spontaneous acts of kindness, compassion, and generosity, courage, and bravery in the aftermath of the Boston marathon bombings was so deeply moving. It is in our nature to want to help, to serve, to be part of something larger than ourselves. We have a desire to connect with others. We want to make a difference in the world. I would call this a spiritual longing to be whole, interrelated, interconnected.
Watching the spontaneous acts of kindness, compassion, and generosity, courage, and bravery in the aftermath of the Boston marathon bombings was so deeply moving. It is in our nature to want to help, to serve, to be part of something larger than ourselves. We have a desire to connect with others. We want to make a difference in the world. I would call this a spiritual longing to be whole, interrelated, interconnected.
I think about the poet Rainer Maria Rilke who said that it's the questions that move us, not the answers. As a writer, I believe that it's our task, our responsibility, to hold the mirror up to social injustices that we see and to create a prayer of beauty. The questions serve us in that capacity.
To be whole. To be complete. Wildness reminds us what it means to be human, what we are connected to rather than what we are separate from.
Each of us contributes our own piece to the whole, each in our own way, each in our own time with the gifts and talents that are ours. You ask about possible vehicles for change: question, stand, speak, act. Engage in unruly behavior. Disturb the status quo. Take direct action. Commit civil disobedience. Make art. Build community. Dance. Sing. Farm. Cook. Create something beautiful and then give it away. Find your own monkey wrench and use it with the force of love. Sharpen your pencil. Vote.
I think direct political action, civil disobedience, in particular, is something to be taken very seriously.
Thomas Berry calls the Ecozoic Era, a time when we recognize the imperative of caring for the planet as a means of compassionate survival. We do not know what the outcome is going to be, but we have an opportunity to make these kinds of creative and imaginative leaps of thought and actions both locally and globally. This is completely antithetical to the direction George W. Bush is leading this nation. I do trust that the open space of democracy is ultimately the open space of our hearts and that we can follow our own leadership that carries a long-term view way beyond "four more years.
Hope is not attached to outcomes but is a state of mind, as Vaclav Havel says, "an orientation of the spirit." And I have faith; maybe more than hope, I have faith. I think of my great-grandmother, Vilate Lee Romney, who came from good pioneer Mormon stock. She always said to us that faith without works is dead, so I think if we have hope, we must work to further that hope. Maybe that is the most important thing of all, to have our faith rooted in action.
Creativity ignited a spark. In that moment, I saw that art is not peripheral, beauty is not optional, but a strategy for survival.
The unexpected action of deep listening can create a space of transformation capable of shattering complacency and despair.
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If we are at all sensitive to the life around us, to one another\'s pains and joys, 
to the beauty and fragility of the Earth, it is all about being broken open, allowing ourselves to 
step out from out hardened veneers and expose our core, allowing ourselves to be vulnerable in our emotional response to the world. And how can we not respond? This is what I mean by being \'broken open.\' To engage. To love. Any one of these actions of the heart will lead to a personal transformation that bears collective gifts.
If we are at all sensitive to the life around us, to one another's pains and joys, to the beauty and fragility of the Earth, it is all about being broken open, allowing ourselves to step out from out hardened veneers and expose our core, allowing ourselves to be vulnerable in our emotional response to the world. And how can we not respond? This is what I mean by being 'broken open.' To engage. To love. Any one of these actions of the heart will lead to a personal transformation that bears collective gifts.