Quotes Suzanne Collins - page 2

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He puts the chain with the locket around my neck, then rests his hand over the spot where our baby would be. You’re going to make a great mother, you know, he says. He kisses me one last time and goes back to Finnick.
He puts the chain with the locket around my neck, then rests his hand over the spot where our baby would be. You’re going to make a great mother, you know, he says. He kisses me one last time and goes back to Finnick.
She’s really gone, then. The little girl with the back of her shirt sticking out like a duck tail, the one who needed help reaching the dishes, and who begged to see the frosted cakes in the bakery window. Time and tragedy have forced her to grow too quickly, at least for my taste, into a young woman who stitches bleeding wounds and knows our mother can hear only so much.
In stark contrast to two nights ago, when I felt Peeta was a million miles away, I'm struck by his immediacy now. As we settle in, he pulls my head down to use his arm as a pillow; the other rests protectively over me even when he goes to sleep. No one has held me like this in such a long time. Since my father died and I stopped trusting my mother, no one else's arms have made me feel this safe.
And some small gnarled place inside me hated her for her weakness, for her neglect, for the months she had put us through. I had taken a step back from my mother, put up a wall to protect myself from needing her, and nothing was ever the same between us again.
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Time and tragedy have forced her to grow too quickly, at least for my taste, into a young woman who stitches bleeding wounds and knows our mother can hear only so much.
At least, you two have decent manners," says Effie as we're finishing the main course. "The pair last year ate everything with their hands like a couple of savages. It completely upset my digestion." ... My mother taught Prim and me to eat properly, so yes, I can handle a fork and knife. But I hate Effie Trinket's comment so much I make a point of eating the rest of my meal with my fingers. Then I wipe my hands on the tablecloth. This makes her purse her lips tightly together.
No one really needs me, he says, and there's no self-pity in his voice...I do, I say. I need you. He looks upset, takes a deep breath as if to begin a long argument, and that's no good, no good at all, because he'll start going on about Prim and my mother and everything and I'll just get confused. So before he can talk, I stop his lips with a kiss.
When I wake up, the other side of the bed is cold. My fingers stretch out, seeking Prim`s warmth but finding only the rough canvas cover of the mattress. She must have had bad dreams and climbed in with our mother. Of course, she did. This is the day of the Reaping.
So that day, in music assembly, the teacher asked who knew the valley song. Your hand shot right up in the air. She stood you up on a stool and had you sing it for us. And I swear, every bird outside the windows fell silent...and right when your song ended, I knew - just like your mother - I was a goner.
An ability to look into the confusing mess of life and see things for what they are.
An ability to look into the confusing mess of life and see things for what they are.
But if you want to find peace, you must first be able to hope it is possible.
When I ask Plutarch about his absence, he just shakes his head and says, "He couldnt face it." "Haymitch? Not able to face something? Wanted a day off, more likely," I say. "I think his actual words were 'I couldn't face it without a bottle,'" says Plutarch.
If I get home, I'll be so stinking rich, I'll be able to pay someone to do my hearing.
I don’t know what the explosion did, but it damaged something deep and irreparable. Never mind. If I get home, I’ll be so stinking rich, I’ll be able to pay someone to do my hearing.
Something keeps me moving forward, though. A lifetime of watching the Hunger Games lets me know that certain areas of the arena are rigged for certain attacks. And that if I can just get away from this section, I might be able to move out of reach of the launchers. I might also then fall straight into a pit of vipers, but I can't worry about that now.
Sick and disoriented, I'm able to form only one thought: Peeta Mellark just saved my life.
If I'm going to cry, now is the time. By morning, I'll be able to wash all the damage done by the tears from my face. But no tears come. I'm too tired or too numb to cry. The only thing I feel is a desire to be somewhere else. So I let the train rock me into oblivion.
You'll never be able to let him go. You'll always feel wrong about being with me.
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When I wake, I have a brief, delicious feeling of happiness that is somehow connected with Peeta. Happiness, of course, is a complete absurdity at this point, since at the rate things are going, I\'ll be dead in a day. And that\'s the best-case scenario, if I\'m able to eliminate the rest of the field, including myself, and get Peeta crowned as the winner of the Quarter Quell. Still, the sensation\'s so unexpected and sweet I cling to it, if only for a few moments. Before the gritty sand, the hot sun, and my itching skin demand a return to reality.
When I wake, I have a brief, delicious feeling of happiness that is somehow connected with Peeta. Happiness, of course, is a complete absurdity at this point, since at the rate things are going, I'll be dead in a day. And that's the best-case scenario, if I'm able to eliminate the rest of the field, including myself, and get Peeta crowned as the winner of the Quarter Quell. Still, the sensation's so unexpected and sweet I cling to it, if only for a few moments. Before the gritty sand, the hot sun, and my itching skin demand a return to reality.
I don’t stand a chance if he doesn't get better. You’ll never be able to let him go. You’ll always feel wrong about being with me. The way I always felt wrong kissing him because of you, I say. Gale holds my gaze. If I thought that was true, I could almost live with the rest of it.