Quotes Simone de Beauvoir - page 3

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She offered her mouth to him, as if enchanted. A Persian princess, a little Indian, a fox, a morning glory, a lovely wisteria--it always pleased them when you told them they looked like something, like something else.
She offered her mouth to him, as if enchanted. A Persian princess, a little Indian, a fox, a morning glory, a lovely wisteria--it always pleased them when you told them they looked like something, like something else.
That is what chills your spine when you read an account of a suicide: not the frail corpse hanging from the window bars but what happened inside that heart immediately before.
When women act like women, they are accused of being inferior. When women act like human beings, they are accused of behaving like men.
The individual is defined only by his relationship to the world and to other individuals; he exists only by transcending himself, and his freedom can be achieved only through the freedom of others. He justifies his existence by a movement which, like freedom, springs from his heart but which leads outside of himself.
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The state of emotional intoxication allows one to grasp existence in one's self and in the other, as both subjectivity and passivity. The two partners merge in this ambiguous unity; each one is freed of his own presence and achieves immediate communication with the other.
To will freedom and to will to disclose being are one and the same choice; hence, freedom takes a positive and constructive step which causes being to pass to existence in a movement which is constantly surpassed.
Feminism is a revolutionary movement which is different from the class struggle movement, the proletarian movement, but which is a movement which must be leftist. By that I mean at the extreme left, a movement working to overthrow the whole society.
Most feminists in France came to feminism after '68 as a result of the hypocrisy they experienced in leftist movements. In these movements, where everyone believed there was going to be true equality, fraternity between men and women, and that together they were going to struggle against this rotten society, even there they noticed that the leftists, the militants, kept them "in their place." Women made the coffee while the others did the talking; they were the ones who typed the letters.
Anais Nin shows an occasional grace in writing, but her work is quite foreign to me, precisely because she wants so much to be feminine and not feminist. And then she is so gaga before so many men. She talks about men I know in France, men who were less than nothing, and she considers them kings, extraordinary people.
Literature in France seems to be undergoing a crisis now, and nothing comes immediately to mind.
Literature in France seems to be undergoing a crisis now, and nothing comes immediately to mind.
I discovered feminism around 1970-72-precisely the time when feminism began to exist in France. Before that, there was no feminism.
The Sahara was a spectacle as alive as the sea. The tints of the dunes changed according to the time of day and the angle of the light: golden as apricots from far off, when we drove close to them they turned to freshly made butter; behind us they grew pink; from sand to rock, the materials of which the desert was made varied as much as its tints.
The past is not a peaceful landscape lying there behind me, a country in which I can stroll wherever I please, and will gradually show me all its secret hills and dales. As I was moving forward, so it was crumbling. Most of the wreckage that can be seen is colourless, distorted, frozen: its meaning escapes me... all that's left is a skeleton. I shall never find my plans again, my hopes and fears - I shall not find myself.
Love and action always imply a failure, but this failure must not keep us from loving and acting. For we have not only to establish what our situation is, we have to choose it in the very heart of its ambiguity.
It's true that what you find in New York is something other than America. Only small towns and small countries are self-satisfied; a real capital goes beyond its borders.
Ce n'est gue'  re que dans les asiles que les coquettes gardent avec ente"  tement une foi entie'  re en des regards absents; normalement, elles re  clament des te  moins. Women fond of dress are hardly ever entirely satisfied not to be seen, except among the insane; usually they want witnesses.
In a way, literature is true than life,' he said to himself. 'On paper, you say exactly and completely what you feel. How easy it is to break things off on paper! You hate, you shout, you kill, you commit suicide; you carry things to the very end. And that's why it's false. But it's damned satisfying. In life, you're constantly denying yourself, and others are always contradicting you. On paper, I make time stand still and I impose my convictions on the whole world; they become the only reality.
When I was a child, when I was an adolescent, books saved me from despair: that convinced me that culture was the highest of values[...].
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The younger and healthier a woman is and the more her new and glossy body seems destined for eternal freshness, the less useful is artifice; but the carnal weakness of this prey that man takes and its ominous deterioration always have to be hidden from him...In any case, the more traits and proportions of a woman seem contrived, the more she delighted the heart of man because she seemed to escape the metamorphosis of natural things. The result is this strange paradox that by desiring to grasp nature, but transfigured, in woman, man destines her to artifice.
The younger and healthier a woman is and the more her new and glossy body seems destined for eternal freshness, the less useful is artifice; but the carnal weakness of this prey that man takes and its ominous deterioration always have to be hidden from him...In any case, the more traits and proportions of a woman seem contrived, the more she delighted the heart of man because she seemed to escape the metamorphosis of natural things. The result is this strange paradox that by desiring to grasp nature, but transfigured, in woman, man destines her to artifice.
I think it's wrong to write in a totally esoteric language when you want to talk about things which interest a multitude of women.