Quotes Salman Rushdie - page 2

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Literature is the one place in any society where, within the secrecy of our own heads, we can hear voices talking about everythingin every possible way. The reason for ensuring that that privileged arena is preserved is not that writers want the absolute freedom to say and do whatever they please. It is that we, all of us, readers and writers and citizens and generals and goodmen, need that little, unimportant-looking room. We do not need to call it sacred, but we do need to remember that it is necessary.

Literature is the one place in any society where, within the secrecy of our own heads, we can hear voices talking about everythingin every possible way. The reason for ensuring that that privileged arena is preserved is not that writers want the absolute freedom to say and do whatever they please. It is that we, all of us, readers and writers and citizens and generals and goodmen, need that little, unimportant-looking room. We do not need to call it sacred, but we do need to remember that it is necessary.

Literature is where I go to explore the highest and lowest places in human society and in the human spirit, where I hope to find not absolute truth but the truth of the tale, of the imagination and of the heart.

If there is a choice between absolute safety and freedom, then freedom must always prevail.

In early Islam, it was an absolute tenet that the prophet was not to be worshipped. The prophet was a messenger. And one of the things that's happened in Islam is this cult of the prophet, which to my view is counter to the original tradition.

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Laila Lalami has fashioned an absorbing story of one of the first encounters between Spanish conquistadores and Native Americans, a frightening, brutal, and much-falsified history that here, in her brilliantly imagined fiction, is rewritten to give us something that feels very like the truth.

I was 21 in 1968, so I'm as much a child of the '60s as is possible to be. In those years the subject of religion had really almost disappeared; the idea that religion was going to be a major force in the life of our societies, in the West anyway, would have seemed absurd in 1968.

Travel was pointless. It removed you from the place in which you had a meaning, and to which you gave meaning in return by dedicating your life to it, and it spirited you away into fairylands where you were, and looked, frankly absurd.

I admit it: above all things, I fear absurdity.

If you're on a freeway and want to know if you're being followed, what you do is enormously vary your speed. You accelerate to 100 and slow down to 30 and then accelerate again. In a city, you make a lot of turns against the stream of traffic. You go around a roundabout twice.

The acceptance that all that is solid has melted into the air, that reality and morality are not givens but imperfect human constructs, is the point from which fiction begins.

The acceptance that all that is solid has melted into the air, that reality and morality are not givens but imperfect human constructs, is the point from which fiction begins.

Speaking as somebody with three sisters and a very largely female Muslim family, there is not a single woman I know in my family or in their friends who would have accepted the wearing of a veil.

I think it's a very important function of art to challenge accepted reality, especially when that reality is created by powerful interest groups.

I make no complaint. I am a writer. I do not accept my condition; I will strive to change it; but I inhabit it, I am trying to learn from it.

To put it as simply as possible: I am not a Muslim.[...] I do not accept the charge of apostacy, because I have never in my adult life affirmed any belief, and what one has not affirmed one can not be said to have apostasized from. The Islam I know states clearly that 'there can be no coercion in matters of religion'. The many Muslims I respect would be horrified by the idea that they belong to their faith purely by virtue of birth, and that a person who freely chose not to be a Muslim could therefore be put to death.

I discovered that if you find the language to talk to younger readers, children can accept anything.

The writers of the French enlightenment had deliberately used blasphemy as a weapon, refusing to accept the power of the Church to set limiting points on thought.

Everest silences you...when you come down, nothing seems worth saying, nothing at all. You find the nothingness wrapping you up, like a sound. Non-being. You can't keep it up, of course. the world rushes in soon enough. What shuts you up is, I think, the sight you've had of perfection: why speak if you can't manage perfect thoughts, perfect sentences? It feels like a betrayal of what you've been through. But it fades; you accept that certain compromises, closures, are required if you're to continue.

Our human tragedy is that we are unable to comprehend our experience, it slips through our fingers, we can't hold on to it, and the more time passes, the harder it gets...My father said that the natural world gave us explanations to compensate for the meanings we could not grasp. The slant of the cold sunlight on a winter pine, the music of water, an oar cutting the lake and the flight of birds, the mountains' nobility , the silence of the silence. We are given life but must accept that it is unattainable and rejoice in what can be held in the eye, the memory, the mind.

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And using that - the birth of a religion, it suggests that you have got two tests. You have the test of weakness. When you\'re weak, do you compromise, do you bend, do you give in, do you accommodate? And then the test of strength. When you\'re strong, are you merciful, are you generous, or are you cruel?

And using that - the birth of a religion, it suggests that you have got two tests. You have the test of weakness. When you're weak, do you compromise, do you bend, do you give in, do you accommodate? And then the test of strength. When you're strong, are you merciful, are you generous, or are you cruel?

If you were standing next to the prophet on the mountain, would you have seen the archangel? And my answer to that was probably not, even though it's supposed to be a really big archangel. He describes it as - the Archangel Gabriel as standing on the horizon and filling the sky. That's a big angel.

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