Quotes Oscar Wilde - page 6
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Selfishness is not living as one wishes to live; it is asking others to live as one wishes to live. And unselfishness is letting other people's lives alone, not interfering with them. Selfishness always aims at uniformity of type. Unselfishness recognizes infinite variety of type as a delightful thing, accepts it, acquiesces in it, enjoys it.
Misfortunes one can endure--they come from outside, they are accidents. But to suffer for one's own faults--ah!--there is the sting of life.
every portrait that is painted with feeling is a portrait of the artist, not of the sitter. The sitter is merely the accident, the occasion. It is not he who is revealed by the painter; it is rather the painter who, on the coloured canvas, reveals himself.
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That beauty which is meant by art is no mere accident of human life which people can take or leave, but a positive necessity of life if we are to live as nature meant us to, that is to say unless we are content to be less than men.
Everything in moderation, including moderation.
The world has become sad because a puppet was once melancholy. The nihilist, that strange martyr who has no faith, who goes to the stake without enthusiasm, and dies for what he does not believe in, is a purely literary product. He was invented by Turgenev, and completed by Dostoevsky. Robespierre came out of the pages of Rousseau as surely as the People's Palace rose out debris of a novel. Literature always anticipates life. It does not copy it, but moulds it to its purpose.
Literature always anticipates life. It doesn't copy it but moulds it to it's purpose.
Many of the great achievements of the world were accomplished by tired and discouraged men who kept on working.
The cities of America are inexpressibly tedious. The Bostonians take their learning too sadly; culture with them is an accomplishment rather than an atmosphere; their Hub, as they call it, is the paradise of prigs. Chicago is a sort of monster-shop, full of bustles and bores. Political life at Washington is like political life in a suburban vestry. Baltimore is amusing for a week, but Philadelphia is dreadfully provincial; and though one can dine in New York one could not dwell there.
The Bostonians take their learning too sadly: culture with them is an accomplishment rather than an atmosphere; their "Hub," as they call it, is the paradise of prigs.
When critics disagree the artist is in accord with himself.
All art is at once surface and symbol. Those who go beneath the surface do so at their peril. Those who read the symbol do so at their peril. It is the spectator, and not life, that art really mirrors. Diversity of opinion about a work of art shows that the work is new, complex, and vital. When critics disagree, the artist is in accord with himself.
Outcasts always mourn.
And alien tears will fill for him pity's long broken urn. For his mourners will all be outcast men, and outcasts always mourn.
After playing Chopin, I feel as if I had been weeping over sins that I had never committed and mourning over tragedies that were not my own.
If a friend of mine gave a feast, and did not invite me to it, I should not mind a bit. but if a friend of mine had a sorrow and refused to allow me to share it, I should feel it most bitterly. If he shut the doors of the house of mourning against me, I would move back again and again and beg to be admitted so that I might share in what I was entitled to share. If he thought me unworthy, unfit to weep with him, I should feel it as the most poignant humiliation.
Well, I don't like your clothes. You look perfectly ridiculous in them. Why on earth don't you go up and change? It's perfectly childish to be in mourning for a man who is actually staying a whole week with you in your house as a guest. I call it grotesque.
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After playing Chopin, I feel as if I had been weeping over sins that I had never committed, and mourning over tragedies that were not my own. Music always seems to me to produce that effect. It creates for one a past of which one has been ignorant, and fills one with a sense of sorrows that have been hidden from one’s tears.
The nineteenth century is a turning point in history, simply on account of the work of two men, Darwin and Renan, the one the critic of the Book of Nature, the other the critic of the books of God. Not to recognise this is to miss the meaning of one of the most important eras in the progress of the world.
