Quotes Margaret Atwood - page 3

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Better not to invent her in her absence. Better to wait until she\'s actually here. Then he can make her up as she goes along.
Better not to invent her in her absence. Better to wait until she's actually here. Then he can make her up as she goes along.
Immortality,' said Crake, ' is a concept. If you take 'mortality' as being, not death, but the foreknowledge of it and the fear of it, then 'immortality' is the absence of such fear. Babies are immortal. Edit out the fear, and you'll be.
Within one's own family, money is not the measure of things, unless the person is an absolute Scrooge. Only the most extreme kind of monster would put a price on everything.
But nothing is more opaque than absolute transparency.
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All Creatures know that some must die That all the rest may take and eat; Sooner or later, all transform Their blood to wine, their flesh to meat. But Man alone seeks Vengefulness, And writes his abstract Laws on stone; For this false Justice he has made, He tortures limb and crushes bone. Is this the image of a god? My tooth for yours, your eye for mine? Oh, if Revenge did move the stars Instead of Love, they would not shine.
What we share may be a lot like a traffic accident but we get one another. We are survivors of each other. We have been shark to one another, but also lifeboat. That counts for something.
The Three of them were beautiful, in the way all girls of that age are beautiful. It can't be helped, that sort of beauty, nor can it be conserved; it's a freshness, a plumpness of the cells, that's unearned and temporary, and that nothing can replicate. None of them was satisfied with it, however; already they were making attempts to alter themselves into some impossible, imaginary mould, plucking and pencilling away at their faces. I didn't blame them, having done the same once myself.
at last you, will say (maybe without speaking) (there are mountains inside your skull garden and chaos, ocean and hurricane; certain corners of rooms, portraits of great-grandmothers, curtains of a particular shade; your deserts; your private dinosaurs; the first woman) all i need to know: tell me everything just as it was from the beginning.
You always think, 'Oh, if only I had a little chalet in the mountains! How great that would be and I'd do all this writing' Except, no, I wouldn't. I'd do the same amount of writing I do now and the rest of the time I'd go stir crazy. If you're waiting for the perfect moment you'll never write a thing because it will never arrive. I have no routine. I have no foolproof anything. There's nothing foolproof.
I used to think of my body as an instrument, of pleasure, or a means of transportation, or an implement for the accomplishment of my will.
I used to think of my body as an instrument, of pleasure, or a means of transportation, or an implement for the accomplishment of my will.
Nature is an expert in cost-benefit analysis,' she says. 'Although she does her accounting a little differently. As for debts, she always collects in the long run.
For the children with their greedy little mouths represent the future, which like time itself will devour all now alive.
When they came to harvest my corpse (open your mouth, close your eyes) cut my body from the rope, surprise, surprise: I was still alive. Tough luck, folks, I know the law: you can't execute me twice for the same thing. How nice. I fell to the clover, breathed it in, and bared my teeth at them in a filthy grin. You can imagine how that went over. Now I only need to look out at them through my sky-blue eyes. They see their own ill will staring then in the forehead and turn tail Before, I was not a witch. But now I am one.
All you have to do, I tell myself, is keep your mouth shut and look stupid. It shouldn't be that hard.
How old do you have to get before wisdom descends like a plastic bag over your head and you learn to keep your big mouth shut? Maybe never. Maybe you get more frivolous with age.
His mouth is on me, his hands, I can't wait and he's moving, already, love, it's been so long, I'm alive in my skin, again, arms around him, falling and water softly everywhere, never-ending.
Screw poetry, it’s you I want, your taste, rain on you, mouth on your skin.
I think of bad news as a huge bird, with the wings of a crow and the face of my Grade Four school teacher, sparse bun, rancid teeth, wrinkly frown, pursed mouth and all, sailing around the world under cover of darkness pleased to be the bearer of ill tidings, carrying a basket of rotten eggs, and knowing- as the sun comes up- exactly where to drop them. On me, for one.
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Why can\'t I believe? she asked the darkness. Behind her eyelids she saw an animal. It was golden colour, with gentle green eyes and canine teeth, and curly wool instead of fur. It opened its mouth, but it did not speak. Instead, it yawned.It gazed at her. She gazed at it. \
Why can't I believe? she asked the darkness. Behind her eyelids she saw an animal. It was golden colour, with gentle green eyes and canine teeth, and curly wool instead of fur. It opened its mouth, but it did not speak. Instead, it yawned.It gazed at her. She gazed at it. "You are the effect of a carefully calibrated blend of plant toxins," she told it.Then she fell asleep.
Knowledge is power only as long as you keep your mouth shut.