Quotes Maggie Stiefvater - page 4
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Blue was a fanciful, but sensible thing. Like a platypus, or one of those sandwiches that had been cut into circles for a fancy tea party.
I smiled at the stacks, inhaling again. Hundreds of thousands of pages that had never been turned, waiting for me. The shelves were a warm, blond wood, piled with spines of every color. Staff picks were arranged on tables, glossy covers reflecting the light back at me. Behind the little cubby where the cashier sat, ignoring us, stairs covered with rich burgundy carpet led up to the worlds unknown. 'I could just live here,' I said.
Do you ever get the feeling that something awful might happen?' James asked me. . . I sat up. 'I'm the awful thing that happens.
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I sat on the hill, the wind whispering through the long grass that surrounded me. I stared at the stars and wanted more than what I was and more than what the world was and just - wanted.
We sat like that for a long while, and when we stood up, all my sad things were in boxes, and Beck was my father.
Cole sat back up, slowly, and I opened my eyes. His expression, as ever, was blank, the face he wore when something mattered. He said, "That's how I would kiss you, if I loved you.
...and we sat like that, one creature in two bodies, for a long time, until I forgot what I'd been upset about and I was myself again.
There was nothing particularly intimate about the way they sat, but something about the scene made Gansey feel strange, like he’d heard an unpleasant statement and later forgotten everything about the words but the way they had made him feel.
I am alone in the world, and yet not alone enough to make each hour holy. I am lowly in this world, and yet not lowly enough for me to be just a thing to you, dark and shrewd. I want my will and I want to go with my will as it moves towards action. And I want, in those silent, somehow faltering times, to be with someone who knows, or else alone. I want to reflect everything about you, and I never want to be too blind or too ancient to keep your profound wavering image with me. I want to unfold. I don't want to be folded anywhere, because there, where I'm folded, I am a lie.
Get some money, buy a red coffeepot, move out. Find a new place to plug it in.
if you were really busy, you could almost forget about it, but when you stopped moving, it was murder
I slithered out of the sinkhole on my stomach. It was not the sexiest move I'd ever performed, but I was impressed nonetheless.
I stare at him. "You can't risk not winning. Not because of me." Sean doesn't lift his eyes from the counter. "We make our move when you make yours. You on the inside, me on the outside. Corr can come from the middle of the pack; he's done it before. It's one side you won't have to worry about." I say, "I will not be your weakness, Sean Kendrick." Now he looks at me. He Says, very softly, "It's late for that, Puck.
Do you know how some people can do anything? What do you mean? I mean, you tell them to write a tune, they give you a symphony right there. You tell them to write a book, they write you a novel in a day. You tell them to move a spoon without touching it, they move it. If they want something, they make it happen. Miracles, almost.
There's a tap on the door then. We all exchange looks, Tommy Falk's as uncertain as the rest of ours. No one moves, so I finally wipe my hands off on my pants, go to the door, and open it a crack. Sean stands on the other side, one hand in his trouser pocket, the other holding a loaf of bread. I wasn't prepared for it to be Sean, so my stomach does a neat little trick that feels like either hunger or escaping.
He was full of the restless, dissatisfied energy that always seemed to move into his heart after he visited home these days. It had something to do with the knowledge that his parents’ house wasn’t truly home anymore — if it had ever been — and something to do with the realization that they hadn’t changed; he had.
Finn never looks more excited - he just gets faster. Finns are generally slow-moving creatures.
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When Dove moves up from a canter to a gallop, sometimes the only way I can tell the difference is because her hooves pound a four-time rhythm instead of a three. But when Corr moves into a gallop, it's as if it's a gait that's just been invented, something so much faster than all the others that it should be called something else...Each stride feels like it takes us a mile. We'll run out of island before he runs out of speed. We're giants, on his back.
When Ronan thought of Gansey, he thought of moving into Monmouth Manufacturing, of nights spent in companionable insomnia, of a summer searching for a king, of Gansey asking the Gray Man for his life. Brothers.
