Quotes Leonardo da Vinci - page 2
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Wisdom is the daughter of experience
The painter strives and competes with nature.
The painter who has no doubt about his own ability will attain very little.
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He who wishes to be rich in a day will be hanged in a year.
You should prefer a good scientist without literary abilities than a literate one without scientific skills
A well-spent day brings happy sleep.
It reflects no great honour on a painter to be able to execute one thing well.
Surely when a man is painting a picture he ought not refuse to hear any man's opinion... Since men are able to form a true judgement as to the works of nature, how much more does it behoove us to admit that they are able to judge our faults.
![If a man has a tent made of linen of which the apertures have all been stopped up, and be it twelve bracchia across (over twenty-five feet) and twelve in depth, he will be able to throw himself down from any height without sustaining injury. [His concept of the parachute.]](/fotos/38/387ba2ba73ce1e4c81fb09175bf2a1f3.webp)
It reflects no great honor on a painter to be able to execute only one thing well -- such as a head, an academy figure, or draperies, animals, landscapes, or the like -- in other words, confining himself to some particular object of study. This is so because there is scarcely a person so devoid of genius as to fail of success if he applies himself earnestly to one branch of study and practices it continually.
I think it is no small attraction in a painter to be able to give a pleasing air to his figures, and whoever is not naturally possessed of this grace may acquire it by study, as opportunity offers in the following manner: be on the watch to take good parts of many beautiful faces of which the beautiful parts are established by general repute rather than by your own judgement, for you may deceive yourself by selecting faces that resemble your own, since it often seems that such similarities please us; ... so therefore choose the beautiful ones as I tell you and fix them in your mind.
Though I may not . . . be able to quote other authors, I shall rely on that which is much greater and more worthy - on experience.
When you are painting you should take a flat mirror and often look at your work within it, and it will then be seen in reverse, and will appear to be by the hand of some other master, and you will be better able to judge of its faults than in any other way.
You should look at certain walls stained with damp, or at stones of uneven color. If you have to invent some backgrounds you will be able to see in these the likeness of divine landscapes, adorned with mountains, ruins, rocks, woods, great plains, hills and valleys in great variety; and expressions of faces and clothes and an infinity of things which you will be able to reduce to their complete and proper forms. In such walls the same thing happens as in the sound of bells, in whose stroke you may find every named word which you can imagine.
One has no right to love or hate anything if one has not acquired a thorough knowledge of its nature. Great love springs from great knowledge of the beloved object, and if you know it but little you will be able to love it only a little or not at all.
Darkness is absence of light. Shadow is diminution of light.
Let the painter composing narrative pictures take pleasure in wealth and variety, and avoid repeating any part that occurs in it, so that the uniqueness and abundance attract people to it and delight the eye of the observer. I say that a narrative painting requires (depending on the scene), wherever the eye falls, a mixture of men of diverse appearances, of diverse ages and dress, combined together with women, children, dogs, horses, buildings, fields, and hills.
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One painter ought never to imitate the manner of any other; because in that case he cannot be called the child of nature, but the grandchild. It is always best to have recourse to nature, which is replete with such abundance of objects, than to the productions of other masters, who learnt everything from her.
I have from an early age abjured the use of meat, and the time will come when men such as I will look upon the murder of animals as they now look upon the murder of men.
