Quotes John Updike

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Dreams come true. Without that possibility, nature would not incite us to have them.
Dreams come true. Without that possibility, nature would not incite us to have them.
I didn't need to write historical epics, no, or science fiction, though I read a lot of science fiction as a kid and rather liked it. But I didn't have the mentality.
Man is a means for turning things into spirit and turning spirit into things.
Until the 20th century it was generally assumed that a writer had said what he had to say in his works.
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You write because you don't talk very well, and maybe one of the reasons that I was determined to write was that I wasn't an orator, unlike my mother and my grandfather, who both spoke beautifully and spoke all the time. Maybe I grew up with too many voices around me, as a matter of fact.
In a democracy in the 20th and 21st century, if you can't base your fiction upon ordinary people and the issues that engage them, then you are reduced to writing about spectacular unreal people. You know, James Bond or something, and you cook up adventures.
...but with his mother there's no question of liking him they're not even in a way separate people he began in her stomach and if she gave him life she can take it away and if he feels that withdrawal it will be the grave itself.
In asking forgiveness of women for our mythologizing of their bodies, for being unreal about them, we can only appeal to their own sexuality, which is different but not basically different, perhaps, from our own. For women, too, there seems to be that tangle of supplication and possessiveness, that descent toward infantile undifferentiation, that omnipotent helplessness, that merger with the cosmic mother-warmth, that flushed pulse-quickened leap into overestimation, projection, general mix-up.
The breezes taste Of apple peel. The air is full Of smells to feel- Ripe fruit, old footballs, Burning brush, New books, erasers, Chalk, and such. The bee, his hive, Well-honeyed hum, And Mother cuts Chrysanthemums. Like plates washed clean With suds, the days Are polished with A morning haze.
We all begin life as parasites within the mother, and writers begin their existence imitatively, within the body of letters.
We all begin life as parasites within the mother, and writers begin their existence imitatively, within the body of letters.
The worst thing in the world is a bitter woman. That's one thing about your mother, she's never been bitter.
My mother didn't raise me to be a critic, but I seem to have become one anyway.
To be human is to be in the tense condition of a death-foreseeing, consciously libidinous animal. No other earthly creature suffers such a capacity for thought, such a complexity of envisioned but frustrated possibilities, such a troubling ability to question the tribal and biological imperatives.
Seemed to me important in writing about people to be able to describe the sexual transactions between them. It's - for many people it's the height of, what they see, of ecstasy and poetry is in their sexual encounters. And furthermore, personality - human personality does not end in the bedroom, but persists.
Being able to write becomes a kind of shield, a way of hiding, a way of too instantly transforming pain into honey.
There is no pleasing New Englanders, my dear, their soil is all rocks and their hearts are bloodless absolutes.
An old essay by John Updike begins, 'We live in an era of gratuitous inventions and negative improvements.' That language is general and abstract, near the top of the ladder. It provokes our thinking, but what concrete evidence leads Updike to his conclusion ? The answer is in his second sentence : 'Consider the beer can.' To be even more specific, Updike was complaining that the invention of the pop-top ruined the aesthetic experience of drinking beer. 'Pop-top' and 'beer' are at the bottom of the ladder, 'aesthetic experience' at the top.
It is not difficult to deceive the first time, for the deceived possesses no antibodies; unvaccinated by suspicion, she overlooks lateness, accepts absurd excuses, permits the flimsiest patching to repair great rents in the quotidian.
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A photograph offers us a glimpse into the abyss of time.
A photograph offers us a glimpse into the abyss of time.
And there was, in those Ipswich years, for me at least, a raw educational component; though I used to score well in academic tests, I seemed to know very little of how the world worked and was truly grateful for instruction, whether it was how to stroke a backhand, mix a martini, use a wallpaper steamer, or do the Twist. My wife, too, seemed willing to learn. Old as we must have looked to our children, we were still taking lessons, in how to be grown-up.