Quotes Honoré de Balzac - page 4

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Holding this book in your hand, sinking back in your soft armchair, you will say to yourself: perhaps it will amuse me. And after you have read this story of great misfortunes, you will no doubt dine well, blaming the author for your own insensitivity, accusing him of wild exaggeration and flights of fancy. But rest assured: this tragedy is not a fiction. All is true.

Holding this book in your hand, sinking back in your soft armchair, you will say to yourself: perhaps it will amuse me. And after you have read this story of great misfortunes, you will no doubt dine well, blaming the author for your own insensitivity, accusing him of wild exaggeration and flights of fancy. But rest assured: this tragedy is not a fiction. All is true.

Journalists grow accustomed to seeing evil and they let it pass; they proceed to approve it, and they end by committing it themselves.

Emulation admires and strives to imitate great actions; envy is only moved to malice.

The causes that govern the heart appear to be wholly alien to the results achieved. Are the forces that moved a desperate criminal the same that fill a martyr with pride, as both mount the scaffold?

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Gentleness in the gait is what simplicity is in the dress. Violent gestures or quick movements inspire involuntary disrespect.

There are houses in certain provincial towns whose aspect inspires melancholy, akin to that called forth by sombre cloisters, dreary moorlands, or the desolation of ruins. Within these houses there is, perhaps, the silence of the cloister, the barrenness of moors, the skeleton of ruins; life and movement are so stagnant there that a stranger might think them uninhabited, were it not that he encounters suddenly the pale, cold glance of a motionless person, whose half-monastic face peers beyond the window-casing at the sound of an unaccustomed step.

However gross a man may be, the minute he expresses a strong and genuine affection, some inner secretion alters his features, animates his gestures, and colors his voice. The stupidest man will often, under the stress of passion, achieve heights of eloquence, in thought if not in language, and seem to move in some luminous sphere. Goriot's voice and gesture had at this moment the power of communication that characterizes the great actor. Are not our finer feelings the poems of the human will?

Isn't it really quite extraordinary to see that, since man took his first step, no one has asked himself why he walks, how he walks, if he has ever walked, if he could walk better, what he achieves in walking .. questions that are tied to all the philosophical, psychological, and political systems which preoccupy the world.

Let passion reach a catastrophe and it submits us to an intoxicating force far more powerful than the niggardly irritation of wine or of opium. The lucidity our ideas then achieve, and the delicacy of our overly exalted sensations, produce the strangest and most unexpected effects.

A woman filled with faith in the one she loves is the creation of a novelist\'s imagination.

A woman filled with faith in the one she loves is the creation of a novelist's imagination.

In Paris, the greatest expression of personal satisfaction known to man is the smirk on the face of a male, highly pleased with himself as he leaves the boudoir of a lady.

In France everything is a matter for jest. People make quips about the scaffold, about Napoleon's defeat on the banks of The Beresina, and about the barricades of our revolutions. So, at the assizes of the Last Judgment, there will always be a Frenchmen to crack a joke.

Nowhere but in France are people so strictly observant of great matters and so disdainfully indulgent about small ones.

This surface good-nature which captivates a new acquaintance and is no bar to treachery, which knows no scruple and is never at fault for an excuse, which makes an outcry at the wound which it condones, is one of the most distinctive features of the journalist. This camaraderie (the word is a stroke of genius) corrodes the noblest minds; it eats into their pride like rust, kills the germ of great deeds, and lends a sanction to moral cowardice.

The sanctity of womanhood is incompatible with social liberty and social claims; and for a woman emancipation means corruption.

In France we can cauterize wounds but we do not yet know any remedy for the injuries inflicted by a bon mot.

France is a country that loves to change their government if it is always the same.

Whoever does not visit Paris regularly will never really be elegant.

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The fashions we call English in Paris are French in London, and vice versa. Franco-British hostility vanishes when it comes to questions of words and clothing. God save the King is a tune composed by Lully for a chorus in a play by Racine.

The fashions we call English in Paris are French in London, and vice versa. Franco-British hostility vanishes when it comes to questions of words and clothing. God save the King is a tune composed by Lully for a chorus in a play by Racine.

Imaginative, sanguine men will never recognize that in negotiations the most dangerous moment of all is when everything is moving according to their wishes.

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