Quotes Haruki Murakami - page 4

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It\'s a quiet place, so people talk quietly,\

It's a quiet place, so people talk quietly," said Naoko. She made a neat pile of fish bones at the edge of her plate and dabbed at her mouth with a handkerchief. "There's no need to raise your voice here. You don't have to convince anybody of anything, and you don't have to attract anyone's attention.

I was confident that I was a special person. But time slowly chips away at life. People don't just die when their time comes. They gradually die away, from the inside. And finally the day comes when you have to settle accounts. Nobody can escape it. People have to pay the price for what they've received. I have only just learned that truth.

Her partially open lips now opened wide, and her soft, fragrant tongue entered his mouth, where it began a relentless search for unformed words, for a secret code engraved there. Tengo's own tongue responded unconsciously to this movement and soon their tongues were like two young snakes in a spring meadow, newly wakened from their hibernation and hungrily intertwining, each led on by the other's scent.

What we call the present is given shape by an accumulation of the past.

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What we needed were not words and promises but a steady accumulation of small realities.

That's why I like listening to Schubert while I'm driving. Like I said, it's because all his performances are imperfect. A dense, artistic kind of imperfection stimulates your consciousness, keeps you alert. If I listen to some utterly perfect performance of an utterly perfect piece while I'm driving, I might want to close my eyes and die right then and there. But listening to the D major, I can feel the limits of what humans are capable of - that a certain type of perfection can only be realized through a limitless accumulation of the imperfect. And personally I find that encouraging.

Reality's just the accumulation of ominous prophecies come to life. All you have to do is open a newspaper on any given day to weigh the good news versus the bad news, and you'll see what I mean.

A certain type of perfection can only be realized through a limitless accumulation of the imperfect.

The sun sliced through the windshield, sealing me in light. I closed my eyes and felt the warmth on my eyelids. Sunlight traveled a long distance to reach this planet; an infinitesimal portion of that sunlight was enough to warm my eyelids. I was moved. That something as insignificant as an eyelid had its place in the workings on the universe, that the cosmic order did not overlook this momentary fact.

From the girl who sat before me now...surged a fresh and physical life force. She was like a small animal that has popped into the world with the coming of spring. Her eyes moved like an independent organism with joy, laughter, anger, amazement, and despair. I hadn\'t seen a face so vivid and expressive in ages, and I enjoyed watching it live and move.

From the girl who sat before me now...surged a fresh and physical life force. She was like a small animal that has popped into the world with the coming of spring. Her eyes moved like an independent organism with joy, laughter, anger, amazement, and despair. I hadn't seen a face so vivid and expressive in ages, and I enjoyed watching it live and move.

my heart would swell without warning, and tremble, and lurch with a stab of pain. I would try clamping my eyes shut and gritting my teeth, and waiting for it to pass. And it would pass -- but slowly, taking its own time, and leaving a dull ache behind.

I contented myself with whiskey, for medicinal purposes. It helped numb my various aches and pains. Not that the alcohol actually reduced the pain; it just gave the pain a life of its own, apart from mine.

Is it possible, in the final analysis, for one human being to achieve perfect understanding of another? We can invest enormous time and energy in serious efforts to know another person, but in the end, how close can we come to that person's essence? We convince ourselves that we know the other person well, but do we really know anything important about anyone?

Waves of thought are stirring. In a twilight corner of her consciousness, one tiny fragment and another tiny fragment call out wordlessly to eachother, their spreading ripples intermingling.

Everyone who has something is afraid of losing it, and people with nothing are worried they'll forever have nothing. Everyone is the same.

And once the storm is over, you won’t remember how you made it through, how you managed to survive. You won’t even be sure, whether the storm is really over. But one thing is certain. When you come out of the storm, you won’t be the same person who walked in. That’s what this storm’s all about.

I didn't have much to say to anybody but kept to myself and my books. With my eyes closed, I would touch a familiar book and draw it's fragrance deep inside me. This was enough to make me happy.

Fate is like a small sandstorm that keeps changing directions. You change direction but the sandstorm chases you. You turn again, but the storm adjusts. Over and over you play this out, like some ominous dance with death just before dawn. Why? Because this storm isn't something that blew in from far away, something that has nothing to do with you. This storm is you. Something inside of you. So all you can do is give in to it, step right inside the storm, closing your eyes and plugging up your ears so the sand doesn't get in, and walk through it, step by step.

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I don\'t know, there\'s something about you. Say there\'s an hourglass: the sand\'s about to run out. Someone like you can always be counted on to turn the thing over.

I don't know, there's something about you. Say there's an hourglass: the sand's about to run out. Someone like you can always be counted on to turn the thing over.

Tengo could hardly believe it-- that in this frantic, labyrinth-like world, two people's hearts-- a boy's and a girl's-- could be connected, unchanged, even though they hadn't seen each other for twenty years.

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