Quotes Gloria Steinem - page 3
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For women... bras, panties, bathing suits, and other stereotypical gear are visual reminders of a commercial, idealized feminine image that our real and diverse female bodies can't possibly fit. Without these visual references, each individual woman's body demands to be accepted on its own terms. We stop being comparatives. We begin to be unique.
Each individual woman's body demands to be accepted on its own terms.
Only when women rebel against patriarchal standards does female muscle become more accepted.
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The family is the basic cell of government: it is where we are trained to believe that we are human beings or that we are chattel, it is where we are trained to see the sex and race divisions and become callous to injustice even if it is done to ourselves, to accept as biological a full system of authoritarian government.
Unequal access to money and media plus bias, external and internalized, and male-dominant religions and illegality at the polls - all those are reasons for women's wildly unequal political power.
More than poverty, more than degree of education, religion, access to natural resources, even degree of democracy - violence against females is the biggest indicator of whether a country will be violent in itself or be willing to use military violence against another country.
In the late '60s, people were saying we need power to, not power over. Power to do, accomplish, create, not power over other people.
No matter how hard I worked, whatever I accomplished was attributed to my looks. If you're working your ass off, then you don't want to be told that you only got whatever because of the way you look. It takes the heart out of you.
I don't know Beyoncé, but I have the impression that she's sincere, that she really is a feminist and wanted to put the word out there to make it a good word in a big way by putting it in big letters on the stage, and especially because she was quoting the African novelist Chimamanda Ngozi Adichie who said, "We should all be feminists." She's a very accomplished and important novelist.
As a profession, freelance writing is notoriously insecure. That's the first argument in its favor. For many reasons, a few of them rational, the thought of knowing exactly what next year's accomplishments, routine, income, and vacation will be - or even what time I have to get up tomorrow morning - has always depressed me.
I wasn't even in a newspaper office where I was getting assignments in competition with other people. I remember earlier, though, that I knew a young woman who had been published in the New Yorker, and I was so jealous of her. It wasn't exactly a personal competition. I just envied that accomplishment.
For me, writing is the only thing that passes the three tests of metier: (1) when I'm doing it, I don't feel that I should be doing something else instead: (2) it produces a sense of accomplishment and, nce in a while, pride; and (3) it's frightening.
When the past dies, there is mourning, but when the future dies our imaginations are compelled to carry it on.
Karla Jay's intimate account of life in the early years of feminism and gay liberation is as irresistible as a novel, but as credible, humorous, and unexpected as real life.
What we have been raised to think of as inevitable - division and hierarchy, monotheism and nation states - actually accounts for less than 10 percent of human history.
I didn’t hear words that were accurate, much less prideful. For example, I never once heard the word clitoris. It would be years before I learned that females possessed the only organ in the human body with no function than to feel pleasure. (If such an organ were unique to the male body, can you imagine how much we would hear about it—and what it would be used to justify?)
The future depends entirely on what each of us does every day; a movement is only people moving.
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A movement is only composed of people moving. To feel its warmth and motion around us is the end as well as the means.