Quotes Clint Eastwood - page 3
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My old drama coach used to say, 'Don't just do something, stand there.' Gary Cooper wasn't afraid to do nothing.
Acting gets into your blood, after so many years, and I just always like revisiting it. It's fun to meet new people and watch them coming along, at different stages of their careers.
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Acting to me is a very organic art form and you just go and do it. And I like to direct the same way that I like to be directed. Let me bring in what I want to bring in, and if something's wrong, just tell me about it and I'll make some corrections or adjustments. And that's what I do.
Stage actors are usually much more conscious of speaking up and making sure that everyone can hear in the back of the theatre; a film actor probably thinks of that a little less. Unfortunately, there's a style of acting going round, especially with the younger actors, where they talk without even moving their lip. Maybe it's because my hearing probably isn't what it was 40 years ago but I'm sitting there going "What did they say"?
I always revered people that I thought had an idea and proceeded through with it. I guess I've been that way since the day I called my father and told him I was going to study acting and maybe try to see if I could do well with that, and he told me: "Don't do that. You don't want to do that, that's just dream stuff. Get a legitimate job and move forward.
Writing is a creative art form and the acting and directing is more of an interpretive art form.
The interesting thing with child actors is that kids are natural actors. They're wonderful actors, and most kids are acting all the time. They're imagining they're out in the yard playing. They're imagining that things happened, and they can get very vivid.
You definitely do not do films for that particular reason. You do them for yourself, for your satisfaction of creating this thing with characters and watching these characters take on real life - that's all you care about.
Acting is an animal thing, not an intellectual thing.
What I think the mentor gets is the great satisfaction of helping somebody along, helping somebody take advantage of an opportunity that maybe he or she did not have.
Michael Moore and I actually have a lot in common. We both appreciate living in a country where there's free expression. But Michael, if you ever show up at my front door with a camera, I'll kill you. I mean it.
Nobody wants to make something that displeases people, but once you make a film, that's out of your control and you can't think about that. You just have to follow your head and make sure that you're satisfied by putting down what you intended.
Don Siegel last advice to me was 'Don't short yourself.' He said the tendency is when an actor's directing is to kind of you want to work on everybody else but you're going to short yourself. He said, take the time to do a good job with yourself so that you're satisfied with it.
If a person is confident enough in the way they feel, whether it's an art form or whether it's just in life, it comes off---you don't have anything to prove; you can just be who you are.
When anybody gives you an award, it could be wrong. You’ve just got to bear that it mind and go ahead and enjoy it. Like Morgan says, it’s a pat on the back, so great you’ll take it and then move on.
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I don't like showing the technique. I don't like people who say, "Here, I'm going to act, but first I have to bounce off this wall." If you have to bounce off the wall, do it by yourself. Don't feature the technique. My old drama coach used to say, "Don't just do something, stand there." Gary Cooper wasn't afraid to do nothing.
I'd been trying to retire to the back of the camera for quite a few years. And then, in 1970, when I first started directing, I if I could pull this off, I can some day just move in back of the camera and stay there.
