Quotes Anne Rice - page 3
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“The only power that exists is inside ourselves.”
I resolved to move just a little bit more slowly through the world, to look around myself with greater care, and to try to remain conscious of all that was going on around me at all times.
This evil, this concept, it comes from disappointment, from bitterness! Don't you see? Children of Satan! Children of God! Is this the only question you bring to me, is this the only power that obsesses you, so that you must make us gods and devils yourself when the only power that exists is inside ourselves? How could you believe in these old fantastical lies, these myths, these emblems of the supernatural?
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Roman influence seeds itself, sprouting mighty oaks right through the modern forest of computers, digital disks, microviruses and space satellites.
I think to feel this happy is to be miserable, to feel this much satisfaction is to burn.
I'm usually working on my own mythology, my own realm of created characters. Stories in mythology inspire me, though I may not be conscious of it.
And what if I never go of my own free will? Will you pitch me from some window so that I must fly or fall? Will you bolt all shutters after me? You had better, because I'll knock and knock and knock until I fall down dead. I'll have no wings that take me away from you.
No one is safe from nature's savagery,not even the innocent. Only beauty is consistent. Gabrielle envisions a time when the Savage Garden will overtake civilizations and destroy it.
I have to move away from organized religion. The toxic confusion and anger I was feeling in church had become too great.
In spite of all the refinements of civilization that conspired to make art--the dizzying perfection of the string quartet or the sprawling grandeur of Fragonard's canvases--beauty was savage. It was as dangerous and lawless as the earth had been eons before man had one single coherent thought in his head or wrote codes of conduct on tablets of clay. Beauty was a Savage Garden.
I think love can save the world. When we love, we completely recognize the value of the other.
And books, they offer one hope -- that a whole universe might open up from between the covers, and falling into that universe, one is saved.
In the spring of 1988, I returned to New Orleans, and as soon as I smelled the air, I knew I was home. It was rich, almost sweet, like the scent of jasmine and roses around our old courtyard. I walked the streets, savoring that long lost perfume.
The fans, the vampire groupies, love the idea of this androgynous, preternatural figure stalking the night, and craving aesthetic pleasure just as he craves blood, wearing only the best velvet clothes, and savoring red roses.
Yet I saw crypts when I looked at him, and I heard the beat of kettledrums. I saw torchlit fields where I had never been, heard vague incantations, felt the heat of raging fires on my face. And they didn't come out of him, these visions. Rather I drew them out on my own. Yet I never had Nicolas, mortal or immortal, been so alluring. Never had Gabrielle held me so in thrall. Dear God, this is love. This is desire. And all my past amours have been but the shadow of this." — Lestat de Lioncourt
That morning I was not yet a vampire, and I saw my last sunrise. I remember it completely, and yet I can't recall any sunrise before it. I watched the whole magnificence of the dawn for the last time as if it were the first. And then I said farewell to sunlight, and set out to become what I became.
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I think any supernatural hero today, whether he's a vampire, werewolf, a resuscitated mummy, whatever he is, is going to have to deal with the fact that scientists are going to want to catch him and study him. His big enemy is not going to be Dr. Van Helsing today, it's going to be the doctor who wants to put him in a lab and get his blood for what it can do to cure disease or grant immortality.
As a child, I saw this beautiful film, Dracula's Daughter, and it was with Gloria Holden and was a sequel to the original Dracula. It was all about this beautiful daughter of Dracula who was an artist in London, and she felt drinking blood was a curse. It had beautiful, sensitive scenes in it, and that film mesmerized me. It established to me what vampires werethese elegant, tragic, sensitive people. I was really just going with that feeling when writing Interview With the Vampire. I didn't do a lot of research.
