Quotes Anne Rice - page 2

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You have made me ashamed of the wasted years. You have made me acknowledge that no darkness has ever been deep enough to extinguish my personal knowledge of love. And all around me in this world I see evidence of love. I see love. I see it in the human struggle. I see its undeniable penetration in all that humans have accomplished in their poetry, their painting, their music, their love of one another and refusal to accept suffering as their lot.

You have made me ashamed of the wasted years. You have made me acknowledge that no darkness has ever been deep enough to extinguish my personal knowledge of love. And all around me in this world I see evidence of love. I see love. I see it in the human struggle. I see its undeniable penetration in all that humans have accomplished in their poetry, their painting, their music, their love of one another and refusal to accept suffering as their lot.

I'm speaking of the character of human beings, not what they believe in. I'm speaking of those who won't accept a useless life just because they were born to it. I mean those who would be something better. They work, they sacrifice, they do things..." He was moved by this, and I was a little surprised that I'd said it. Yet I felt I'd had hurt him somehow. "There is blessedness in that." I said. "There's sanctity. And God or no God, there is goodness in it. I know this the way I know the mountains are out there, that the stars shine.

Life itself must be founded upon the infinite possibility for choice and accident. And if we cannot prove that it is, we must believe that it is. We must believe that we can change, that we can control, that we can direct our own destinies.

We live in a world full of accidents finally in which on aesthetic principles have a consistency of which we can be sure. Right and wrong we will struggle with forever striving to create and maintain an ethical balance. Right and wrong we will struggle with forever, striving to create and maintain an ethical balance; but the shimmer of summer rain under the street lamps or the great flashing glare of artillery against a night sky – such brutal beauty is beyond dispute.

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In these last few days, we were close because we were both mortal men. We saw the same sun and the same twilight, we felt the same pull of the earth beneath our feet. We drank together and broke bread together. We might have made love together, if you had only allowed such a thing. But that’s all changed. You have your youth, yes, and all the dizzying wonder that accompanies the miracle. But I still see death when I look at you. I know now I cannot be your companion, and you cannot be mine

And my heart beat faster for the mountains of eastern Europe, finally, beat faster for the one hope that somewhere we might find in that primitive countryside the answer to why under God this suffering was allowed to exist - why under God it was allowed to begin, and how under God it might be ended. I had not the courage to end it, I knew, without that answer.

Ignore any loss of nerve, ignore any loss of self-confidence, ignore any doubt or confusion. Move on believing in love, in peace, and harmony, and in great accomplishment. Remember joy isn't a stranger to you. You are winning and you are strong. Love. Love first, love always, love forever.

I love the world the Lord has created; I love the mountains, the rivers, the valleys, the skies. I love the forests, the fields, the flowers. I love the mysteries of evolution and dna and the big bang. I want to know the majesties of the Lord's Creation. I cannot close my eyes to all this. I cannot turn away from science and scientific exploration.

But I still did not realize how mad she was, and how accustomed to dreaming; and that she would not cry out for reality, rather would feed reality to her dreams, a demon elf feeding her spinning wheel with the reeds of the world so she might make her own weblike universe.

Mortal beauty often makes me ache, and mortal grandeur can fill me with that longing...but Paris, Paris drew me close to her heart, so I forgot myself entirely. Forgot the damned and questing preternatural thing that doted on mortal skin and mortal clothing. Paris overwhelmed, and lightened and rewarded more richly than any promise.

Mortal beauty often makes me ache, and mortal grandeur can fill me with that longing...but Paris, Paris drew me close to her heart, so I forgot myself entirely. Forgot the damned and questing preternatural thing that doted on mortal skin and mortal clothing. Paris overwhelmed, and lightened and rewarded more richly than any promise.

I was particularly stunned by the casting of Cruise, who is no more my Vampire Lestat than Edward G. Robinson is Rhett Butler.

Paris was a universe whole and entire unto herself, hollowed and fashioned by history; so she seemed in this age of Napoleon III with her towering buildings, her massive cathedrals, her grand boulevards and ancient winding medieval streets - as vast and indestructible as nature itself.

When you make his sandwiches, put a sexy or loving note in his lunch box.

I will be the Vampire Lestat for all to see. A symbol, a freak of nature - something loved, something despised all of those things. I tell you I can't give it up. I can't miss. And quite frankly I am not in the least afraid." - Lestat, The Vampire Lestat, p. 532

I was typing away while everybody was dropping acid and smoking grass. I was known as my own square.

Yes. To write a novel is to risk my sanity. The deeper I get into the suffering and conflict of the characters, into the very situations and thoughts and feelings that make the novel worthwhile, the worse I feel, and the more likely I am to be severely depressed when the book is finished. There is no avoiding this: it is the result of attempting to tell all you know, to reach for the stars, to write what matters.

You reach deep down and bring up what feels absolutely authentic to you as you move along with the book, but you don't know everything about it. You can't.

An evil for these times destined to move through the world in handsome human guise.

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I was influenced by the medieval theological beliefs when I presented Satan in Jesus\' dream as unable to figure out who or what Jesus is, and unable to see the future.

I was influenced by the medieval theological beliefs when I presented Satan in Jesus' dream as unable to figure out who or what Jesus is, and unable to see the future.

Because," she said, "that is what men would call it. They invented Satan, didn't they? Satanic is merely the name they give to the behavior of those who would disrupt the orderly way in which men want to live.