Quotes Anaïs Nin - page 2
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Sometimes we reveal ourselves when we are least like ourselves.
The only abnormality is the incapacity to love.
When one is pretending the entire body revolts.
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Shame is the lie someone told you about yourself.
If what Proust says is true, that happiness is the absence of fever, then I will never know happiness. For I am possessed by a fever for knowledge, experience, and creation.
The human father has to be confronted and recognized as human, as man who created a child and then, by his absence, left the child fatherless and then Godless.
Last night I wept. I wept because the process by which I have become woman was painful. I wept because I was no longer a child with a child's blind faith. I wept because my eyes were opened to reality....I wept because I could not believe anymore and I love to believe. I can still love passionately without believing. That means I love humanly. I wept because I have lost my pain and I am not yet accustomed to its absence.
The child in me could not die as it should have died, because according too legends it must find its father again. The old legends knew, perhaps, that in absence the father becomes glorified, deified, eroticized, and this outrage against God the Father has to be atoned for. The human father has to be confronted and recognized as human, as man who created a child and then, by his absence, left the child fatherless and then Godless.
We three belong to the Middle Ages. We have this need of heroism, and there is no place for such feelings in modern life. That is our tragedy. Once I wanted to be a saint. It seemed the only absolute act left to do, for what is most powerful in me is the craving for purity, greatness.
Instead of answering her as soon as he saw her hair grow electric, her face more vivid, her eyes like lightning, her body restless and jerky like a racehorse’s, he retired behind this wall of objective understanding, this gentle testing and acceptance of her, just as one watches an animal in the zoo and smiles at his antics, but is not drawn into this mood. It was this which left Lilith in a state of isolation - indeed, like a wild animal in an absolute desert.
I love the abstract, delicate, profound, vague, voluptuously wordless sensation of living ecstatically.
And silence. She liked the silence most of all. The silence in which the body, senses, the instincts, are more alert, more powerful, more sensitized, live a more richly perfumed and intoxication life, instead of transmuting into thoughts, words, into exquisite abstractions, mathematics of emotion in place of violent impact, the volcanic eruptions of fever, lust and delight.
Talk—half-talk, phrases that had no need to be finished, abstractions, Chinese bells played on with cotton-tipped sticks, mock orange blossoms painted on porcelain. The muffled, close, half-talk of soft-fleshed women. The men she had embraced, and the women, all washing against the resonance of my memory. Sound within sound, scene within scene, woman within woman—like acid revealing an invisible script. One woman within another eternally, in a far-reaching procession, shattering my mind into fragments, into quarter tones which no orchestral baton can ever make whole again.
I like extravagance. Letters which give the postman a stiff back to carry, books which overflow from their covers, sexuality which bursts the thermometers.
We did not touch each other. We were both leaning over the abyss.
Acapulco in the sunset seems like a balm; it enters the blood like a drug after one inhalation of the scent of flowers, one glimpse of the bay iridescent like silk, the sunset like the inside of a shell, so much like the flesh of Venus.
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Experience teaches acceptance of the imperfect as life.
