Of course, just because we've heard a spine-chilling, blood-curdling scream of the sort to make your very marrow freeze in your bones doesn't automatically mean there's anything wrong.
I'm pretty conservative when it comes to money. My parents were very working class and constantly working. There was always a very strong work ethic and that's put a more conservative, "save for a rainy day" mentality into me.
To reform society, and with it humanity, there is only one mean; to transform the mentality of men, to direct them ("les orienter", Fr.) in a new spirit.
The kind of group mentality that we had lived under since the Second World War is starting to erupt, and the craving for individualism is now much stronger. It's not as taboo anymore, as it was when I was younger.
Anyway, lots of warrior tribes think that when they die, they go to a heavenly land somewhere," said the toad. "You know, where they can drink and fight and feast forever? So maybe this is theirs." "But this is a real place!" "So? That's what they believe. Besides, they're only small. Maybe the universe is a bit crowded and they have to put heavens anywhere there's room? I'm a toad, so you'll appreciate that I'm having to guess a lot here.
I read the best works of some of the best satirists, and indeed best writers from the beginning of the Victorian era to about the 1960s. If you want to be a blacksmith, you go and watch the blacksmith working, and you work out what the blacksmith does.
You can't make people happy by law. If you said to a bunch of average people two hundred years ago "Would you be happy in a world where medical care is widely available, houses are clean, the world's music and sights and foods can be brought into your home at small cost, traveling even 100 miles is easy, childbirth is generally not fatal to mother or child, you don't have to die of dental abscesses and you don't have to do what the squire tells you" they'd think you were talking about the New Jerusalem and say "yes.
I must have read every issue of 'Punch' published in the 20th century, and I think in the process I picked up the true voice of English humour - that amiable, fairly liberal, laconic voice which you find in something like 'Three Men in a Boat.'
I've lost both parents in the last two years, so you pick up on that stuff. That's the most terrible thing about being an author - standing there at your mother's funeral, but you don't switch the author off. So your own innermost thoughts are grist for the mill.