It was a great mantel to be able to take on really, an amazing legacy. And you know to finally see it, because I just saw the final product yesterday as well, is really amazing to be part of something like this.
And also it was a process of, we lifted weights as well, in an effort to train my body to then be able to lift heavier weights when I got in Australia. So that was the first couple of months.
So I think it was to Bryan's credit that he was able to let go of some of those things because you create these scenes and you think you become creative, even I, acting things, you become very creatively taken by it.
Really it's all about what's inside the Superman suit. How you feel about yourself when you put that on because it's very revealing and very imposing if worn with confidence, I suppose. The first time I wore it, I didn't have that as much. I hadn't really trained any, yet. I hadn't read the script, I hadn't really worked on the character at that point. And I was standing around with a room full of costume designers and everybody was judging me right away and going, "Don't make your judgment on it, if this is Superman quite yet or not," because I hadn't done all the work that I would later do.
Christopher Reeve did such an amazing job that to give him some kind of accent or more bravado would have been wrong. Audiences wouldn't have responded to that either.
Well I'm Superman, just not action. I'm kind of looking for something with a lot less action and more talking and listening. I also have a film that's premiering Vegas Film Festival, short film, directed by Joel Kelly, it's called Denial and it's a story, short film, 35 mm short film and it's about a man's struggle to choose between the woman of his dreams and his reality, so it's definitely different than Superman. So I'm really proud of that.