If you do an interview in ...

If you do an interview in 1960, something it\'s bound to change by the year 2000. And if it doesn\'t, then there\'s something drastically wrong.
If you do an interview in 1960, something it's bound to change by the year 2000. And if it doesn't, then there's something drastically wrong.
 John Hurt

More phrases

Many sports, not just football, have kind of the macho meathead mentality where innovation is almost frowned upon.
 Lawrence Jackson
This is ideological colonization. They colonize people with ideas that try to change mentalities or structures, but this is not new. This was done by the dictatorships of the last century.
The only way to make sense out of change is to plunge into it, move with it, and join the dance.
Never doubt that a small group of thoughtful, committed people can change the world. Indeed. It is the only thing that ever has.
To exist is to change, to change is to mature, to mature is to go on creating oneself endlessly.
 Henri Bergson

Quotes from the same author

I've never done a [Berthold] Brecht. In the 1960s when the Berliner Ensemble came over [to England] with Helene Weigel [Brecht's second wife], I saw all the Berlin actors. It was an amazing time, very exciting early 1960s.
 John Hurt
My mother's father drank and her mother was an unhappy, neurotic woman, and I think she has lived all her life afraid of anyone who drinks for fear something like that might happen to her.
 John Hurt
Acting is an imaginative leap, really. And imaginations prosper in different circumstances. And it's being able - I can't tell you how one does, but one tries to read those circumstances correctly.
 John Hurt
The director [Elfar Adalsteins] came to me through my agent and I had a read of the script [of the "Sailcloth]. I thought immediately this is someone who is writing for the cinema. Not having to go through the tedious business of taking something from literature and making that awful leap that is so difficult to make anyway, from literature to cinema. It's refreshing to be able to deal with a subject like that, to be written where the driving force is the image on screen and you don't need any words. The more that we can do that [in film], the better.
 John Hurt
I loved working with [ Lars Von Trier], but I've done two films before, so I was quite used to him.He's a man of incredible moods of course, but he's also a hugely perceptive man, and there's no getting away from that. And he's able to put that perception into something like film, so we're very lucky.
 John Hurt