I remember Anthony Perkins saying, "Real is not necessarily interesting." So real is not enough. But what happens as an actor is that you're really trained to listen and to be open and have empathy. It's such a natural consequence that you end up being more political. You can empathize with the mother whose kids are going to be sent to Iraq, or you can emphasize with the mother who is losing their child to a disease. How could you not then be active? So you're automatically drawn to that aspect in the rest of your life.
Knowledge is the key to stopping the spread of AIDS. Yet millions of children are missing an education. Missing their teachers who have died of the disease. Missing from class as they stay home to care for their dying mothers and fathers. Children are missing your support. United for Children. Unite against AIDS.
As a mother trying to raise kids with some kind of a code, an honorable way to solve problems without using violence, I find it interesting to live in a country where your government is allowed to kill, whether it's war or execution. What interests me is not who deserves to die but who deserves to kill.
The directors I consider really great have the ability to recognize when something's going in an unexpected direction and see it as a bonus and be able to go with it, as opposed to locking down what they thought was going to happen.