I spent most of my adult life as someone's mother and the rest of my life trying to make sure that children are safe. So this to me is - we wrote Hell Is For Children in 1979.
I don't know who it is, probably some geek - said that when a female gets to a certain age, all her sexuality goes. She's not a vital person anymore. If you're somebody's mother you're not vital. This is such crap, because you're still a person. You still have all the things that you came into childbearing with and all that kind of stuff.
My most important inspirational job that I do is raising those kids. That's my job. And that's where my ambition goes. But I have a life. I'm not only their mother. I'm still who I was before, I just don't get to be it all the time.
Hell is for Children' is amazing to do every night and 'Promises in the Dark' and 'Love Is a Battlefied,' of course, but my absolute favorite would be 'Heartbreaker.' It's the one that started everything, so it has a very special place in my heart. And it still rocks every night! It's so fun to do.
I read somewhere that we are all more than we know. And I really believe that. Everybody is worth something, and think of all the amazing things that you could be to each other, to people you don't even know, of all the things that you could accomplish.