I'm legally unable to ride ...

I\'m legally unable to ride motorcycles. It\'s a contract that I have with my life insurance, so whenever I get a chance to do a movie and ride a bike I go for it.
I'm legally unable to ride motorcycles. It's a contract that I have with my life insurance, so whenever I get a chance to do a movie and ride a bike I go for it.

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There is an ocean of endless opportunities, and there are so many things that one can do. I'm so fortunate that I've grown up with this sort of a philosophy and mentality.
 Hafez Nazeri
The two worst strategic mistakes to make are acting prematurely and letting an opportunity slip.
A warrior knows that he is only a man. His only regret is that his life is so short that he can't grab onto all the things he would like to. But for him, this is not an issue; it's only a pity.
The Warrior lives a life full of adventure, living on the edge of opportunity. Life on the edge keeps him in a space of heightened awareness and totally in the moment; therefore no matter what comes his way he is always prepared.
 James Arthur Ray
It was a good opportunity for me to wear a NBA jersey. The Golden State Warriors gave me an opportunity to come in and play for them. I was very appreciative of that.
 John Starks

Quotes from the same author

My mother was a dancer, so I like to use the body as part of the instrument of acting.
I never studied dance, but if you look at 'Wild At Heart,' my mother saw that movie and said, 'You are a dancer. Look at how you're moving: all that strange energy is like modern dance.'
I want to try to apply my abilities sometimes to make families happy, so I have to make movies at a venue that are not gratuitously violent, that are not using bullets and bloodshed, but are using things like magic and fantasy and enchantment and the imagination. To me that's just all positive stuff. But I am eclectic and I still like to make movies for the midnight audience as well.
I certainly would never overstep my bounds and make suggestions to a director. As an actor I'm trying to fit to the best of my abilities within the director's vision, and trying to find some happy rapport where we can both bring something to it that's fresh. Usually I've been lucky in working with directors who have trusted my instincts.
I know there's been a lot that's been said about animated voice work, as though it's 'you can do this in your jeans and there's no camera and no pressure there. It's no big deal. It's easy.' The truth is, it's really a great test: how deep is your ability is to access your imagination?