I read [The Women's Room] in my 20s, and I was like, "I understand this now." And now I've become a mom and read it again and truly understand on a different level what one of the main characters goes through as a mother.
The sexual revolution... it was the first time I had read anything that came close to describing those feelings of being outside of my body, feeling the shame, all of it, that I really was able to connect to in that book. So it sort of blew my mind. I was also listening to Tori Amos at the same time, so I was like, "Wait, what's happening?!" It was all a part of that, probably when I was, like, 13.
It's a very hard line to walk, and I certainly am nowhere near having cracked how to do that, but I try to focus on being a brave performer and not worrying about my lighting or whatever, even though, then, sometimes I see myself on screen, and I'm like, "Why did you wear that, look like that, whatever," but I'm also more accepting that is what it is. There's this battle always.
There were a lot of different things [in The Women's Room ]. I don't really want to summarize it in this way. It's about a woman's awakening, a woman who came of age in the '50s and is a teenager - actually, she's a little bit older - in the '60s and part of the women's movement and how she ends up there.
[Paul Scheer] was kind of pretending to not be as sick as he was. And then we almost pulled into this spa when I finally called it and said, "I'm very ill. We need to go home." And he said, "I am, too." He said that he wasn't going to do his treatments, he was going to - by the way, these are great problems to have - he was going to lie in the men's relaxation room in between throwing up. I was like, "This is insane. We're sick, and we need to just acknowledge it. And it sucks that it happened on my birthday, but let's get back into bed.