When I write lyrics, I really do go into an automatic folk appropriation mode... I see the vernacular register of 20th century song as being a bunch of forms to adapt and reconfigure.
Being blocked, being uncertain, sitting there not knowing, waiting, abiding with it: this is the work. If you don't have the tolerance for that you're in great trouble. If you want to call it a writer's block... that doesn't seem a very useful name for that kind of abiding that I think is the essence of the work.
I'd have been a filmmaker or a cartoonist or something else which extended from the visual arts into the making of narratives if I hadn't been able to shift into fiction.
I'd excluded New York from my writing, and then I came back and I fell in love with it all over again... The energy comes from an absence, that yearning for New York when you are not there.
I believe that written stories will continue to survive because they answer an essential human need. I think movies might disappear before the novel disappears, because the novel is really one of the only places in the world where two strangers can meet on terms of absolute intimacy.