I think a lot of the most interesting immigrant writing involves stepping outside of that old, dreary binary. Chang-rae Lee's Native Speaker is a great example. Same goes for Maxine Hong Kingston's The Woman Warrior.
I was really drawn to thinking about the women in my life. Thinking about my mother, who's a very powerful force on me. And I have these two very strong sisters who took up a lot of imaginary space in my life.
My mother took care of us until my father scrammed, and then she ended up working in the small-factory sector of New Jersey with a lot of other immigrants.
I always had a sense that I would fall in love with Tokyo. In retrospect I guess it's not that surprising. I was of the generation that had grown up in the '80s when Japan was ascendant (born aloft by a bubble whose burst crippled its economy for decades), and I'd fed on a steady diet of anime and samurai films.