Everything I'm teaching you about acting has one aim only: to fire you up emotionally and behaviorally so that you can give a vivid, involving, and memorable performance.
That's what our work can do: we remind people that things can change, that wounds can heal, that people can be forgiven, and that closed hearts can open again.
It's not enough to identify the Superobjective intellectually; you have to justify it, to find the emotional drive behind it. You need your own specific interpretation of the superobjective so that every time you think of it, it makes you emotional and drives you into action.
You can't play an emotional condition; you have an emotional condition, and because you have that condition, you try to overcome it with active doings (intentions).